Sconosciuto, 1450 - Ritratto di un uomo - stampa d'arte

Che tipo di prodotto artistico presentiamo?

The work of art "Portrait of a Man" was created by the artist Sconosciuto in 1450. Il più di 570 originale di anni è stato realizzato con le dimensioni: Incorniciato: 73 x 58,4 x 8,3 cm (28 3/4 x 23 x 3 1/4 in); Senza cornice: 59,9 x 45,5 cm (23 9/16 x 17 15/16 in) and was made with the techinque oil on wood. It is included in the collection of Il museo d'arte di Cleveland situato in Cleveland, Ohio, Stati Uniti d'America. We are pleased to state that this public domain piece of art is being included with courtesy of Il museo d'arte di Cleveland. : Collezione Holden. Moreover, alignment of the digital reproduction is portrait and has an aspect ratio of 3: 4, Il che significa che la lunghezza è del 25% più corta della larghezza.

Materiali selezionabili

Negli elenchi a discesa dei prodotti puoi selezionare il materiale e la dimensione che preferisci. Ti permettiamo di scegliere la dimensione e il materiale che preferisci tra le seguenti opzioni di personalizzazione del prodotto:

• La stampa su tela: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed from a UV direct printer. A canvas of this masterpiece will let you turn your personal art print into a large size work of art. Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of extra wall-mounts. Canvas prints are suited for any kind of wall.
• Stampa poster (materiale tela): Our poster print is a printed sheet of flat cotton canvas with a slight texture on the surface. Please note, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the print to facilitate the framing with your custom frame.
• Stampa su vetro acrilico: The print on acrylic glass, often named a an art print on plexiglass, will turn the original into brilliant wall décor and forms a great alternative to canvas and dibond fine art replicas. Your work of art is being custom-made with modern UV direct print machines. With an acrylic glass fine art print contrasts plus minor artwork details will be exposed because of the precise gradation. The real glass coating protects your selected art print against light and external influences for many more years to come.
• Stampa in alluminio dibond (metallo): Aluminium Dibond prints are metal prints with an outstanding depth. A direct Direct Print on Aluminum Dibond is your ideal start to fine art prints made on aluminum. For your Aluminium Dibond print, we print your artpiece on the surface of the aluminum. The white and bright parts of the artpiece shine with a silky gloss, however without any glow. The colors are luminous and vivid in the highest definition, the fine details appear crisp and clear, and you can feel the matte appearance of the surface.

Nota legale: We try all that we can to depict the art products with as many details as possible and to demonstrate them visually in our shop. Nevertheless, the colors of the printed materials and the print result can diverge marginally from the representation on the device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments are printed as exactly as the digital version on this website. Since our fine art prints are printed and processed manually, there may as well be slight deviations in the exact position and the size of the motif.

Dettagli dell'articolo strutturato

Dettagli delle opere strutturate

Tabella dei metadati dell'artista

Diritto d'autore ©, Artprinta.com

What does the website of the The Cleveland Museum of Art write about the 15th century work of art created by Unknown? (© - dal Cleveland Museum of Art - Il museo d'arte di Cleveland)

Prominent art historians still debate the identity of the artist and the original function of this painting. First attributed to the Neapolitan artist Colantonio (active 1440-1460) and also to the Flemish painter Berthélemy d'Eyck--known as the Master of the Aix Annunciation (active 1440-1470)--the painting is now more likely considered a product of the Provençal school. Undoubtedly it exemplifies the stylistic influences of the Netherlands, Provence, and Italy in the 1400s. The subject may be either a physician or an Old Testament prophet from an altarpiece.