John Smibert, 1734 - Ritratto di una donna (Judith Colman Bulfinch) - stampa d'arte

Spiegazione dell'articolo

La sezione arte classica opera d'arte è stata dipinta dall'artista Giovanni Smibert in 1734. La versione originale ha le seguenti dimensioni di Incorniciato: 94 x 81 x 6 cm (37 x 31 7/8 x 2 3/8 in); Senza cornice: 75,6 x 62,2 cm (29 3/4 x 24 1/2 in) ed è stato prodotto con olio su tela. Today, this work of art belongs to the digital collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The classic art artwork, which belongs to the dominio pubblico è fornito per gentile concessione di Il museo d'arte di Cleveland. : Collezione Hinman B. Hurlbut. On top of that, alignment is portrait and has an image ratio of 1 : 1.2, meaning that la lunghezza è del 20% più corta della larghezza.

Materiali disponibili

Il menu a discesa del prodotto ti dà la possibilità di scegliere il materiale e la dimensione preferiti. Ti permettiamo di scegliere la dimensione e il materiale che preferisci tra le seguenti opzioni di personalizzazione del prodotto:

• La stampa su vetro acrilico (con rivestimento in vero vetro): A glossy acrylic glass print, which is sometimes denoted as a UV print on plexiglass, will change your favorite original work of art into brilliant décor. The artwork will be printed with the help of modern UV direct printing machines. The great upside of an acrylic glass print is that contrasts as well as painting details become exposed due to the delicate gradation. Our plexiglass with real glass coating protects your chosen art print against light and external influences for decades.
• Stampa dibond in alluminio: This is a metal print made on aluminium dibond with a true depth - for a modern look and non-reflective surface structure. For your Direct Print On Aluminum Dibond, we print your chosen work of art on the aluminium white-primed surface. Colors are luminous, the fine details appear crisp, and there’s a matte appearance that you can literally feel.
• Poster su materiale tela: Our poster print is a printed flat canvas paper with a granular surface finish. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the print in order to facilitate the framing with your custom frame.
• Stampa su tela: A canvas print is a printed canvas stretched on a wood frame. It has a special effect of three dimensionality. Hanging a canvas print: Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of extra wall-mounts. Because of thata canvas print is suitable for any kind of wall.

Nota importante: We try everythig possible in order to depict the art products as accurately as possible and to illustrate them visually in our shop. Still, the colors of the printing material, as well as the imprint may diverge to a certain extent from the image on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version depicted here. Considering that all art prints are processed and printed manually, there may as well be slight differences in the motif's size and exact position.

Informazioni di base sul prodotto

Informazioni sull'opera

Il pittore

© protetto da copyright, Artprinta.com (Artprinta)

Additional specifications as provided by the museum (© - by The Cleveland Museum of Art - Il museo d'arte di Cleveland)

The appearance of a professionally trained British painter in the American colonies in 1729 marks a curcial point in the history of American art. Smibert not only imported the skills necessary to convey the impression of substantial, rounded forms in a picture, but his commercial success also inspired others to contemplate careers as painters. Born in Edinburgh and schooled in London and Italy, Smibert attracted numerous clients upon his arrival in Boston. The low bodice, long neck, and sinuous curl of hair in this portrait follow British conventions for depicting women. Research continues as to the identity of the sitter, long thought to be Mrs. Thomas Bulfinch (born Judith Colman, 1707-1765), since that name does not appear in Smibert's recently discovered records.