Rembrandt van Rijn, 1632 - San Pietro - stampa d'arte

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La fine 380 years old painting was painted by the male painter Rembrandt van Rijn nel 1632. L'originale misura le dimensioni: Altezza: 82 cm (32,2 ″); Larghezza: 62 cm (24,4 ″) Incorniciato: Altezza: 106 cm (41,7 ″); Larghezza: 93 cm (36,6 ″); Profondità: 11 cm (4,3 ″). Fa parte della collezione d'arte digitale di Nationalmuseum di Stoccolma, che è il museo svedese di arte e design, un'autorità governativa svedese con il compito di preservare il patrimonio culturale e promuovere l'arte, l'interesse per l'arte e la conoscenza dell'arte. Con la cortesia di: Nationalmuseum Stockholm e Wikimedia Commons (licenza di dominio pubblico)La linea di credito dell'opera d'arte è la seguente:. Inoltre, l'allineamento della riproduzione digitale è in ritratto formato e ha un rapporto immagine di 1: 1.2, which implies that the length is 20% shorter than the width. The painter Rembrandt van Rijn was a European artist, whose artistic style can be attributed primarily to Baroque. The Baroque artist lived for a total of 63 years, born in the year 1606 a Leida e morì nel 1669 ad Amsterdam.

Seleziona la tua variante di materiale

Per ogni stampa artistica offriamo diverse dimensioni e materiali. Sono disponibili le seguenti opzioni per la personalizzazione:

• Stampa su vetro acrilico lucido: An acrylic glass print, which is often denoted as a plexiglass print, will change your favorite original into lovely home decoration. The plexiglass with real glass coating protects your chosen art print against sunlight and heat for decades.
• Stampa dibond in alluminio: This is a metal print manufactured on aluminium dibond with an impressive depth effect. The non-reflective surface make a contemporary impression. The white & bright sections of the artwork shimmer with a silky gloss, however without the glow. Colors are bright and luminous in the highest definition, details are clear and crisp.
• Tela: A printed canvas mounted on a wooden stretcher frame. A canvas produces a familiar, comfortable appearance. A canvas print of your favorite artwork will provide you with the unique opportunity of transforming your very own fine art print into a large size collection piece like you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.
• Manifesto (materiale tela): The poster is a UV printed sheet of flat canvas paper with a fine finish on the surface. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing.

Nota importante: We do what we can to describe the art products in as much detail as possible and to demonstrate them visually on the different product detail pages. Still, the tone of the printed materials and the printing might vary to a certain extent from the representation on your device's screen. Depending on your settings of your screen and the condition of the surface, not all colors can be printed one hundret percent realistically. Bearing in mind that our are processed and printed manually, there may as well be slight variations in the motif's exact position and the size.

Informazioni strutturate sul prodotto

Informazioni di base sull'opera d'arte

Tavolo dell'artista

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Original information about the artwork from Nationalmuseum Stockholm (© Copyright - da Nationalmuseum Stoccolma - Nationalmuseum di Stoccolma)

English: Saint Peter—Jesus’s disciple and the first pope in Rome—turns his grave face to look straight at us. His grim gaze seems to admonish us to think about our deeds and live a Christian life. The key is Peter’s customary symbol. In the seventeenth century, Saint Peter was an important symbol for the papacy and the Catholic Church, but he is a relatively unusual motif for Rembrandt. The directness with which the figure meets the viewer is, however, very characteristic. The chiaroscuro—where the face, hand, and key dramatically emerge from the dark—is also typical of the artist’s work. Aposteln Petrus – Jesu lärjunge och den förste påven i Rom – vänder sig allvarsamt rakt mot oss. Hans bistra blick tycks förmana oss att betänka våra handlingar och leva kristligt. Nyckeln är Petrus stående symbol. Petrus var under 1600-talet en viktig symbol för påvedömet och den katolska kyrkan, och är ett relativt ovanligt motiv i Rembrandts produktion. Den direkthet med vilken gestalten möter betraktaren är dock mycket representativ för konstnären. Ljusdunklet – där ansikte, hand och nyckel dramatiskt träder fram ur mörkret – är också typiskt för konstnären.