Adriaen Van Ostade, 1666 - The Analysis - stampa d'arte

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"The Analysis" was by Adriaen Van Ostade in the year 1666. 350 year old work of art had the size: Height: 28,2 cm, Width: 22,5 cm and was made on the medium Pittura ad olio. Date and signature - Signature and date in the middle left: "A van / Ostade [...] / 1666" was the artpiece's inscription. It can be viewed in in the Petit Palais - Musée des Beaux-arts de la Ville de Paris's collection, which is an art museum in the 8th arrondissement. With courtesy of Petit Palais Parigi (licenza: dominio pubblico).In addition, the artwork has the creditline: . Moreover, alignment is in ritratto formato con un rapporto di aspetto di 1: 1.2, il che significa che la lunghezza è del 20% più corta della larghezza. Adriaen Van Ostade was a engraver, artist, painter from the Netherlands, whose style can be attributed primarily to Baroque. The painter was born in the year 1610 ad Haarlem, Olanda Settentrionale, Paesi Bassi e deceduto all'età di 75 anni nel 1685 ad Haarlem, Olanda Settentrionale, Paesi Bassi.

Informazioni supplementari dal sito web del museo (© Copyright - Petit Palais - Musée des Beaux-Arts de la Ville de Paris - Petit Palais - Musée des Beaux-Arts de la Ville de Paris)

In Dutch painting of the seventeenth century, examining a bottle of urine was used to represent doctors, often satirically, in assimilating to charlatans. The fanciful costume was a marker of distinction between good and evil doctor (Gerard Dou, "The Doctor", Vienna, Kunsthistorisches Museum). Sitting at his desk, the man examines a vial. Dressed in black and wearing a hat, it raises the bottle at eye level, to examine in daylight. In good scientist, he consulted the herbarium open on his desk and prepares to draw conclusions from its analysis on a leaflet blank to comment. It is learned qu'Adriaen Van Ostade represented his medical potential. The concentrated gaze, wisdom permeating his face, he is closer to the iconography of the lawyers in their study that the charlatan. The fineness of the painting and rendering textures, such as the oriental table mat, are characteristic of the evolution of painting from Van Ostade in the 1660s, towards greater artistic maturity. Each element of the composition is rendered with naturalism, giving the portrait of the scientist a psychological dimension.

On June 7, 1708, the table included in a sale in Amsterdam. He entered the collection of Johan Hendrik van Wassenaer Obdam graaf and remained probably until the death of this one in 1745. On 19 August 1750 Bisschop bought for 350 FL when selling the Hague, De Hondt. The analysis obtained for during "A Stove flaking fish" (location unknown) and it is with him that he was again sold, this time in Paris, July 19, 1774, in Collins, for 750 pounds. We do not know what date, the two pendant entered the collection of Abel Poisson Marquis de Menars. The posthumous sale of the latter allowed Claude Tolozan, introducer of ambassadors to the court of the king, to make the acquisition for 611 pounds. Then "The analysis" passed into the collection of Laneuville for 810 francs (sales & Paillet Delaroche, Paris, 23 February 1801) in the collection Séréville in that of Lafontaine for 1,500 francs (Paillet sale Laneuville & Olivier, Paris, January 22, 1812), Casimir Perier and Paul Perier. That's when Bonnefons sales Lavialle in Paris on 16 and 17 March 1843 Augustus Dutuit acquired it at a price of 6001 francs. The table remained in Rouen, in the collection of Dutuit two brothers, Eugene and Augustus, until Augustus bequeathed to the City of Paris in 1902.

Genre scene, Doctor, Man, Hat, Desk, Bottle, Book, Carpet

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