Georges de La Tour, 1645 - San Pietro Penitente - stampa d'arte

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Offriamo una gamma di materiali e dimensioni differenti per ogni prodotto. Sono disponibili le seguenti opzioni per la personalizzazione:

• Stampa dibond in alluminio: An Aluminium Dibond print is a print material with an impressive effect of depth - for a modern impression and a non-reflective surface structure. The bright sections of the artpiece shine with a silky gloss, however without any glare.
• Stampa su vetro acrilico (con rivestimento in vero vetro): An acrylic glass print, which is often referred to as a print on plexiglass, will change your original work of art into wall decoration. Beyond that, the acrylic art print forms a good alternative option to dibond and canvas fine art prints. The artwork will be custom-made with the help of modern UV direct print machines. With an acrylic glass art print contrasts and also smaller painting details become exposed due to the delicate tonal gradation of the picture. Our real glass coating protects your chosen fine art print against light and heat for up to 6 decades.
• Stampa su tela: A printed canvas applied on a wood stretcher frame. Additionally, a canvas print makes a cosy and comfortable ambience. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. Therefore, a canvas print is suitable for any type of wall.
• La stampa del poster (materiale su tela): The poster is a UV printed canvas with a slight surface texture, that resembles the actual work of art. It is suited for putting the art copy using a custom frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the print motif in order to facilitate the framing with your custom frame.

Nota legale: We try whatever we can to depict the art products as clearly as possible and to illustrate them visually. Still, the tone of the printed materials, as well as the print result can diverge marginally from the presentation on your device's screen. Depending on the settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Since the are printed and processed manually, there might as well be slight differences in the size and exact position of the motif.

General specifications as provided from The Cleveland Museum of Art website (© - The Cleveland Museum of Art - Il museo d'arte di Cleveland)

During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance. The apostle’s red-rimmed eyes and the uncertain light of the lantern suggest anxious sleepless nights; muted colors and simple forms give visual expression to Peter’s somber emotions. Unlike other artists inspired by Caravaggio, La Tour worked in relative isolation in northeastern France, and his connection to his Italian counterpart remains unclear.

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In 1645 Georges de La Tour made this 17th century work of art. The beyond 370 years old original had the exact dimensions: Framed: 140,3 x 119,1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in) and was crafted on the medium olio su tela. The original artwork is inscribed with the information: "signed upper right: Georgs delaTour Invet et Pin / 1645". This artpiece forms part of the The Cleveland Museum of Art's art collection. With courtesy of - Il museo d'arte di Cleveland (licenza di dominio pubblico). : Gift of the Hanna Fund. Besides this, the alignment is in ritratto formato con un rapporto immagine di 1: 1.2, intendendo che la lunghezza è del 20% più corta della larghezza. The painter Georges de La Tour was an artist from France, whose artistic style was primarily Baroque. The Baroque painter was born in the year 1593 in Vic-sur-Seille, Grand Est, France and deceased at the age of 60 in the year 1653.

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