Thomas Cole, 1842 - The Voyage of Life: Old Age - stampa d'arte

I 19th secolo dipinto con il titolo The Voyage of Life: Old Age è stato dipinto dall'artista maschio Thomas cole. The artpiece is part of the art collection of National Gallery of Art located in Washington DC, Stati Uniti d'America. Siamo lieti di segnalare che il file dominio pubblico l'opera d'arte viene fornita con la cortesia di Galleria Nazionale d'Arte, Washington.Creditline dell'opera:. Oltre a questo, l'allineamento è paesaggio con proporzioni di 3: 2, Il che significa che la lunghezza è del 50% più lunga della larghezza. The painter Thomas Cole was a North American artist from United States, whose style can mainly be assigned to Romanticism. The Romanticist painter was born in 1801 nel Lancashire, Inghilterra, Regno Unito, contea e morì all'età di 47 nell'anno 1848 a Catskill, contea di Greene, stato di New York, Stati Uniti.

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Original artwork specifications from National Gallery of Art (© - Galleria Nazionale d'Arte - Galleria Nazionale d'Arte)

Cole's renowned four-part series traces the journey of an archetypal hero along the "River of Life." Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of "Youth" and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature's fury, evil demons, and self-doubt will threaten his very existence. Only prayer, Cole suggests, can save the voyager from a dark and tragic fate.

From the innocence of childhood, to the flush of youthful overconfidence, through the trials and tribulations of middle age, to the hero's triumphant salvation, The Voyage of Life seems intrinsically linked to the Christian doctrine of death and resurrection. Cole's intrepid voyager also may be read as a personification of America, itself at an adolescent stage of development. The artist may have been issuing a dire warning to those caught up in the feverish quest for Manifest Destiny: that unbridled westward expansion and industrialization would have tragic consequences for both man and nature.

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