cerchio di Gerard David, 1500 - Ritratto di un monaco - stampa d'arte

Informazioni dettagliate sul prodotto

In 1500 the painter circle of Gerard David created this 16th century work of art called "Portrait of a Monk". The artwork had the following size: Framed: 54,5 x 48,5 x 5,5 cm (21 7/16 x 19 1/8 x 2 3/16 in); Unframed: 36 x 30,4 cm (14 3/16 x 11 15/16 in). Olio su legno was used by the painter as the technique for the artwork. The work of art belongs to the The Cleveland Museum of Art's art collection. With courtesy of Il museo d'arte di Cleveland (licenza: dominio pubblico). Creditline dell'opera d'arte: Il lascito di John L. Severance. Inoltre, l'allineamento è ritratto con un rapporto laterale di 1: 1.2, intendendo che la lunghezza è del 20% più corta della larghezza.

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• Dibond in alluminio (stampa in metallo): This is a metal print made on aluminium dibond material with an impressive effect of depth - for a modern look and non-reflective surface. A direct Aluminium Dibond Print is the best introduction to the sophisticated world of art replicas manufactured with aluminum. For the Aluminium Dibond print, we print your work of art on the aluminium white-primed surface. The bright and white components of the artwork shimmer with a silky gloss but without the glare. Colors are luminous in the highest definition, fine details of the print appear crisp. This print on aluminium is one of the most demanded entry-level products and is an extremely modern way to showcase art reproductions, as it puts the viewer’s focus on the whole artwork.
• Tela: A canvas print, which should not be confused with a canvas painting, is an image printed on a canvas fabric. In addition to that, a printed canvas makes a attractive and comfortable look. Your canvas print of this masterpiece will allow you to transform your fine art print into a large work of art like you know from art galleries. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. A canvas print is suitable for any kind of wall.
• Poster su materiale tela: Our poster print is a printed canvas paper with a slightly roughened surface texture. It is suited for framing your art replica using a special frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the painting, which facilitates the framing.
• Stampa su vetro acrilico (con rivestimento in vero vetro): A glossy print on acrylic glass, which is sometimes denoted as a print on plexiglass, will turn your favorite original artwork into marvellous wall decoration. The artwork is being custom-made with the help of modern UV print machines. The real glass coating protects your selected fine art print against light and heat for many decades.

Informazioni importanti: We try everything in order to depict our products as exact as possible and to exhibit them visually on the various product detail pages. Although, the pigments of the printed materials and the imprint might vary to a certain extent from the image on the monitor. Depending on your screen settings and the condition of the surface, not all color pigments are printed as exactly as the digital version shown here. Bearing in mind that the art prints are printed and processed manually, there may as well be minor discrepancies in the motif's size and exact position.

Le specifiche del prodotto

Dati di base sull'opera

Informazioni sull'artista strutturato

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Original description by The Cleveland Museum of Art website (© Copyright - The Cleveland Museum of Art - www.clevelandart.org)

This panel originally formed the right half of a diptych, a hinged two-paneled painting used for private worship. The missing left panel probably depicted the Virgin and Child. The entire composition showed the monk, with his prayer book open, kneeling in an interior before Mary and the infant Jesus. This panel is very similar to another painting of a monk now in the National Gallery (London) by Gerard David. Although we do not know the monk's name, he must have lived in the Netherlandish city of Bruges, because behind him appear two of that city's most famous towers: on the left is that of the Onze Lieve Vrouw (Our Dear Lady) Church; the Cathedral of the Saviour is on the right. Also, his simple gray garment and tonsure indicate that he likely belonged to an Augustinian religious community.