Martin Johnson Heade, 1868 - Point Judith, Rhode Island - stampa d'arte

Original artwork specifications from the museum's website (© - The Cleveland Museum of Art - Il museo d'arte di Cleveland)

During the 1860s and 1870s, many American painters shifted their interest from rendering clear-cut, well-lit scenes of recognizable places to capturing more ambiguous effects, such as the mystery of night. In Point Judith, Rhode Island, the barren, almost lunar landscape contains no figures, allowing moonlight and mystery to feature as the true subjects of the painting. Despite its seemingly generalized character, this work is based on a pencil sketch that identifies the scene's location as Scarborough Beach, looking toward the tip of Point Judith on the right side of the painting. Although he depicts an actual place, Heade devotes more attention to intangible objects in the landscape. The ominous line of assembling storm clouds and the mysterious, glowing light cast by the moon suggest that perhaps these fluid, evasive elements are more powerful than the solid forms of the landscape.

Description of the artwork created by the Realist painter Martin Johnson Heade

Point Judith, Rhode Island was created by Martin Johnson Heade in 1868. The masterpiece was made with the size - Framed: 97 x 153,5 x 14 cm (38 3/16 x 60 7/16 x 5 1/2 in); Unframed: 72,3 x 128 cm (28 7/16 x 50 3/8 in). Olio su tela was used by the artist as the medium of the piece of art. The original artwork was inscribed with the following text: signed lower right: M.J. Heade. This artpiece can be viewed in in the The Cleveland Museum of Art's digital collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of Il museo d'arte di Cleveland (con licenza - dominio pubblico). Il credito dell'opera d'arte è: Mr. and Mrs. William H. Marlatt Fund and Gift of Delbert Gutridge in memory of Orrel A. Parker by exchange. Inoltre, l'allineamento è paesaggio e ha proporzioni di 16: 9, meaning that the length is 78% longer than the width. The painter, traveller Martin Johnson Heade was a North American artist, whose style can be classified as Realism. The Realist painter lived for 85 anni ed è nato a 1819 in Lumberville, Bucks county, Pennsylvania, United States and passed away in 1904.

Possibili scelte di materiale del prodotto

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• Stampa su vetro acrilico: A glossy acrylic glass print, which is sometimes labelled as a fine art print on plexiglass, will change your favorite original artwork into stunning décor and makes a viable alternative to dibond and canvas fine art replicas. The work of art will be custom-made with modern UV direct printing technology.
• Stampa dibond in alluminio: Una stampa su alluminio Dibond è una stampa con un vero effetto di profondità.
• Stampa poster su tela: The poster is a UV printed canvas paper with a slightly roughened surface structure. A poster print is best suited for putting the art replica using a custom-made frame. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print motif, which facilitates the framing.
• Tela: A canvas print is a printed canvas mounted on a wood stretcher. A canvas print of your favorite masterpiece will let you turn your art print into a large size artpiece. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang your Canvas print without the help of any wall-mounts. Because of thata canvas print is suitable for any kind of wall.

Breve panoramica dell'artista

Informazioni di base sull'opera

Le specifiche del prodotto

Disclaimer legale: We try everythig possible in order to describe the art products in as much detail as possible and to illustrate them visually in our shop. Although, the colors of the print products, as well as the print result can vary marginally from the representation on the monitor. Depending on the screen settings and the quality of the surface, color pigments may not be printed as realisitcally as the digital version shown here. In view of the fact that the art prints are processed and printed manually, there might also be slight variations in the size and exact position of the motif.

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