Bartolomeo Cavarozzi, 1625 - La Cena in Emmaus - stampa fine art

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Per ogni stampa artistica offriamo una gamma di diversi materiali e dimensioni. Ti permettiamo di scegliere tra le seguenti varianti:

• Stampa su vetro acrilico (con rivestimento in vero vetro sulla parte superiore): The print on acrylic glass, which is often denoted as a UV print on plexiglass, makes your favorite original artwork into great wall décor. Above all, it forms a viable alternative option to aluminium and canvas fine art replicas. Your own version of the artwork will be printed with modern UV direct printing machines. With an acrylic glass art print contrasts and color details will be more exposed due to the very fine gradation. The plexiglass with real glass coating protects your chosen fine art print against light and heat for many years to come.
• Stampa dibond in alluminio: An Aluminium Dibond print is a material with a true effect of depth. The Direct Print on Aluminum Dibond is your perfect introduction to fine art replicas with aluminum. The bright and white parts of the original artpiece shine with a silk gloss but without any glare. The colors are luminous in the highest definition, the fine details are clear and crisp, and you can really feel a matte appearance of the fine art print.
• Stampa su tela: A canvas print is a printed canvas stretched on a wooden stretcher. A canvas print has the great advantage of being low in weight, meaning that it is quite simple to hang the Canvas print without the support of extra wall-mounts. Hence, canvas prints are suited for any type of wall.
• Stampa di poster (materiale tela): Our poster is a printed sheet of flat canvas with a granular structure on the surface, which resembles the actual artwork. Please keep in mind, that depending on the size of the poster we add a white margin 2-6cm around the work of art, which facilitates the framing with your custom frame.

Disclaimer: We try everything to depict the products as clearly as we can and to exhibit them visually in our shop. Please keep in mind that the pigments of the print materials, as well as the imprint may vary marginally from the presentation on your monitor. Depending on your settings of your screen and the condition of the surface, not all color pigments will be printed 100% realistically. Since all art reproductions are printed and processed by hand, there may also be slight variations in the motif's size and exact position.

What does the original description of the The J. Paul Getty Museum say about this 17th century artwork created by Bartolomeo Cavarozzi? (© - dal J. Paul Getty Museum - Il Museo J. Paul Getty)

As the innkeeper looks on, the resurrected Christ reveals himself to his apostles Cleophas and Saint Peter, as described in the Gospel of Luke: "When he was at the table with them, he took bread, blessed and broke it, and gave it to them. Then their eyes were opened, and they recognized him." The artist heightens the scene's tension by positioning the table at the very front of the picture plane, hemming in the substantial figures.

It is thought that Bartolomeo Cavarozzi painted this painting, which is after Caravaggio's innovative treatment of the subject that is now in the National Gallery, London. During the 1600s, Caravaggio's original was in Rome, where it was seen and copied by many artists. The Getty Museum's picture follows the original closely, but with several important differences. The positioning of the three figures surrounding Christ has been reversed. These figures are also shown from a slightly lower viewpoint than Caravaggio's, making them more monumental. This painting has less spatial depth and a more symmetrical composition than Caravaggio's original. The artist also enlarged and lavished great attention on the still life, capturing the play of light across a range of textures and surfaces.

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In 1625 , il maschio Italiano artist Bartolomeo Cavarozzi created the 17th secolo opera d'arte La cena di Emmaus. Al giorno d'oggi, l'opera d'arte appartiene alla collezione d'arte di Il Museo J. Paul Getty. Con la cortesia di Il Museo J. Paul Getty (licenza - dominio pubblico).The creditline of the artpiece is the following: . Further, the alignment of the digital reproduction is landscape and has an aspect ratio of 1.4 : 1, which implies that la lunghezza è del 40% più lunga della larghezza. Bartolomeo Cavarozzi was a male painter, whose art style was mainly Baroque. The European artist lived for 38 years, born in the year 1587 in Viterbo, Viterbo province, Lazio, Italy and deceased in 1625.

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