Léopold Stevens, 1903 - Vista interna della Collezione Hoentschel al 58 Boulevard Flandrin, Parigi - stampa d'arte

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This masterpiece was created by the artist Léopold Stevens. The version of the painting has the following size: 29 15/16 × 31 1/2 in (76 × 80 cm) Framed (confirmed): 34 × 35 3/4 in (86,4 × 90,8 cm). Oil on canvas; mounted on a carved wood stretcher and framed with carved gilt wood louis xv frame was applied by the artist as the medium of the artpiece. Furthermore, the artwork forms part of the collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The modern art artpiece, which belongs to the dominio pubblico viene fornito con la cortesia di The Metropolitan Museum of Art, New York, Purchase, The James Parker Charitable Foundation Gift, 2019. The creditline of the artpiece is the following: Purchase, The James Parker Charitable Foundation Gift, 2019. The alignment is in square formato e ha un rapporto di 1: 1, Il che significa che la lunghezza è uguale alla larghezza.

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Per ogni stampa artistica offriamo una gamma di diverse dimensioni e materiali. Scegli ora tra le seguenti opzioni di prodotto per soddisfare le tue preferenze in termini di dimensioni e materiale:

• Stampa su vetro acrilico lucido (con rivestimento in vero vetro): A glossy acrylic glass print, often denoted as a fine art print on plexiglass, will turn the original work of art into gorgeous home decoration and offers a good alternative to aluminium and canvas fine art prints. Your artwork will be made with modern UV direct print technology.
• Stampa su tela: The printed canvas, not to be mistaken with a canvas painting, is a digital copy printed on a UV direct printing machine. It produces a special impression of three dimensionality. Hanging a canvas print: A canvas print has the great advantage of being relatively low in weight, which means that it is quite simple to hang up your Canvas print without any wall-mounts. That is why, canvas prints are suited for any kind of wall.
• Manifesto (materiale tela): The poster print is a UV printed canvas with a slight surface finish. Please note, that depending on the size of the canvas poster print we add a white margin 2 - 6cm around the print in order to facilitate the framing with your custom frame.
• Dibond in alluminio (stampa in metallo): These are metal prints on aluminium dibond material with a true effect of depth, which makes a fashionable look throuch a non-reflective surface. For your Direct Print On Aluminum Dibond, we print your favorite artwork on the surface of the white-primed aluminum composite. This direct UV print on aluminium is the most popular entry-level product and is a truly modern way to display art reproductions, as it puts all of the viewer’s attention on the replica of the artwork.

Disclaimer legale: We try all that we can in order to describe the products in as much detail as it is possible and to demonstrate them visually on the product detail pages. At the same time, the pigments of the print materials, as well as the imprint can diverge marginally from the presentation on the device's monitor. Depending on the settings of your screen and the nature of the surface, color pigments may not be printed 100% realistically. Since all art reproductions are printed and processed by hand, there may also be minor differences in the exact position and the size of the motif.

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General specifications as provided by The Metropolitan Museum of Art website (© Copyright - dal Metropolitan Museum of Art - Il Metropolitan Museum of Art)

Showing the main floor of the Gallery at 58 Boulevard Flandrin, Paris, where the interior decorator Georges Hoentschel had installed his art collection, is an excellent example of a so-called “interior portrait” for which the French painter Léopold Stevens was known. The collection of paneling, carved woodwork, and seat furniture depicted in this painting was acquired in 1906 by J. Pierpont Morgan, then serving as the Met’s president, and given to the Museum the following year. The Morgan gift lent the institution its initial strength in French decorative arts and led to the creation of a special department and the construction of a new wing. Many works from the Hoentschel/Morgan collection are still on view at the Museum. The son of the fashionable genre painter Alfred Emile Léopold Stevens, the younger Stevens also painted marines and Orientalist scenes.