Theodore Robinson, 1887 - The Valley of Arconville - stampa d'arte

Informazioni originali sull'opera d'arte dal museo (© - di Art Institute Chicago - Istituto d'Arte Chicago)

One of the first American artists to paint in Giverny, France, Theodore Robinson assimilated the teachings of the region’s most famous resident, Claude Monet, in his vibrant compositions. In this striking panoramic view of the French valley of Arconville, southeast of Paris, Robinson employed densely layered, broken brushwork—learned from his friend and mentor Monet—to lead the eye away from the figure of the woman, down the slope, and across the valley. Although Robinson, like the French Impressionists, here captured momentary effects such as the illusion of grass moving in the breeze, the geometric forms of the houses below add structure to the image.

Dettagli dell'opera d'arte

Tabella dei dettagli dell'artista

Dati di background dell'articolo

Materiali tra cui puoi scegliere

Il menu a discesa del prodotto ti offre la possibilità di scegliere il materiale e la dimensione preferiti. Sono disponibili le seguenti opzioni per la personalizzazione:

• Metallo (stampa dibond alluminio): Aluminium Dibond prints are prints on metal with an impressive depth. The bright & white parts of the artpiece shimmer with a silky gloss but without any glow. The print on aluminium is one of the most demanded entry-level products and is an extremely sophisticated way to display fine art prints, as it puts all of the viewer’s focus on the artwork.
• Stampa di poster (materiale tela): Our poster print is a UV printed cotton canvas paper with a slight surface finish. A poster print is ideally suited for placing your art print using a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm round about the print motif, which facilitates the framing.
• Tela: A UV printed canvas material stretched on a wooden stretcher frame. A canvas creates a charming and positive ambience. A canvas print has the advantage of being low in weight, meaning that it is easy to hang up the Canvas print without the use of any wall-mounts. Hence, canvas prints are suited for any type of wall.
• Stampa su vetro acrilico (con rivestimento in vero vetro sulla parte superiore): The print on acrylic glass, often named a print on plexiglass, makes your favorite original into home decoration. Above all, it forms a viable alternative to canvas and dibond fine art replicas. With an acrylic glass art print contrasts and also minor artwork details will be more exposed with the help of the subtle gradation in the picture. Our plexiglass with real glass coating protects your selected art print against sunlight and heat for between 4 and 6 decades.

Informazioni sul prodotto di stampa

Questa opera d'arte è stata creata da americano pittore Teodoro Robinson. The version of the painting had the following size: 45,8 × 55,7 cm (18 × 21 7/8 in). Olio su tela was used by the North American artist as the medium of the painting. The artwork has the following text as inscrption: signed, lower right: "TH. ROBINSON". Oggi, quest'opera d'arte fa parte del Art Institute Chicago's collezione d'arte digitale, che è uno dei più grandi musei d'arte del mondo, che ospita una collezione che abbraccia secoli e tutto il mondo. IL arte moderna artpiece, che appartiene al dominio pubblico is provided with courtesy of Art Institute Chicago. Moreover, the artwork has the creditline: Amici della collezione d'arte americana. Oltre a questo, l'allineamento è in paesaggio formato and has a side ratio of 1.2 : 1, which implies that the length is 20% longer than the width. The painter Theodore Robinson was a North American artist from United States, whose style was mainly Impressionism. The American painter lived for 44 anni ed è nato a 1852 in Irasburg, Orleans county, Vermont, United States and deceased in 1896.

Disclaimer legale: We try whatever we can in order to depict our products in as much detail as possible and to illustrate them visually on the different product detail pages. Nonetheless, the pigments of the printing material and the imprint might differ marginally from the representation on the device's screen. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Given that the art reproductions are processed and printed manually, there may as well be slight discrepancies in the motif's exact position and the size.

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