Antoine Rivoulon, 1832 - Scene da Nostra Signora di Parigi - stampa d'arte

59,99 €

Tasse incluse. Spedizione calcolata alla cassa.

Descrizione approfondita del prodotto di stampa

I arte moderna un'opera d'arte è stata realizzata dall'artista Antonio Rivoulon. La fine 180 l'originale di un anno è stato realizzato con le seguenti dimensioni: Altezza: 65,2 cm, Larghezza: 54,5 cm ed è stato dipinto con il per l'esame of Olio, tela (materiale). L'opera ha la seguente iscrizione: Signature - front, bottom center: "1832 - AR". It belongs to the collection of Maison de Victor Hugo - Hauteville House. We are happy to state that the dominio pubblico work of art is supplied, courtesy of Maison de Victor Hugo - Hauteville House.: . In addition to this, the alignment is ritratto con un rapporto immagine di 1: 1.2, il che significa che la lunghezza è del 20% più corta della larghezza.

Scegli la variante di materiale di stampa fine art desiderata

Il menu a tendina del prodotto ti offre la possibilità di selezionare la tua taglia e materiale preferiti. Sono disponibili le seguenti opzioni per la personalizzazione:

  • Metallo (stampa dibond alluminio): Aluminium Dibond prints are metal prints with an outstanding effect of depth. A direct Aluminium Dibond Print is your excellent introduction to fine art replicas on aluminum. The white & bright components of the work of art shine with a silk gloss but without any glow. Colors are bright and luminous, the details are clear and crisp. The direct print on aluminium is one of the most popular entry-level products and is an extremely sophisticated way to display art, as it draws attention on the image.
  • Stampa su vetro acrilico lucido (con rivestimento in vero vetro): The acrylic glass print, often denoted as a fine art print on plexiglass, will convert your favorite artwork into décor. The work of art will be printed with state-of-the-art UV direct printing machines. This has the effect of deep and vivid color tones. The acrylic glass protects your selected fine art print against light and heat for several decades.
  • La stampa su tela: A canvas print is a printed canvas stretched on a wooden stretcher. A canvas has the exclusive impression of three dimensionality. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Hence, canvas prints are suitable for all types of walls.
  • Poster (materiale tela): A poster print is a UV printed canvas paper with a fine surface structure. The print poster is suited for putting the fine art print with a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2 - 6cm around the work of art, which facilitates the framing with your custom frame.

Disclaimer: We try everything in order to describe the art products as precisely as possible and to display them visually in our shop. Still, the tone of the printed materials and the print result can diverge marginally from the presentation on the screen. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed as realistically as the digital version on this website. Since our art reproductions are processed and printed by hand, there may also be minor deviations in the size and exact position of the motif.

Il prodotto

Classificazione dell'articolo: riproduzione d'arte
Metodo di riproduzione: riproduzione digitale
Metodo di produzione: Stampa diretta UV
Origine del prodotto: prodotto in Germania
Tipo di scorta: produzione su richiesta
Destinazione d'uso del prodotto: gallery wall, collezione d'arte (riproduzioni)
Orientamento dell'opera d'arte: allineamento verticale
Proporzioni dell'immagine: 1: 1.2
Implicazione delle proporzioni dell'immagine: la lunghezza è del 20% più corta della larghezza
Materiali che puoi selezionare: stampa su metallo (dibond in alluminio), stampa su poster (carta tela), stampa su tela, stampa su vetro acrilico (con rivestimento in vero vetro)
Dimensioni della stampa su tela (tela su telaio della barella): 50 x 60 cm - 20 x 24 ", 100 x 120 cm - 39 x 47", 150 x 180 cm - 59 x 71 "
Varianti di formato della stampa su vetro acrilico (con rivestimento in vero vetro): 50 x 60 cm - 20 x 24 ", 100 x 120 cm - 39 x 47"
Varianti di formato di stampa poster (carta tela): 50 x 60 cm - 20 x 24 ", 100 x 120 cm - 39 x 47"
Opzioni di stampa su alluminio: 50 x 60 cm - 20 x 24 ", 100 x 120 cm - 39 x 47"
Inquadratura della stampa artistica: Senza cornice

Tavolo da lavoro

Titolo dell'opera d'arte: "Scenes from Our Lady of Paris"
Classificazione dell'opera d'arte: pittura
Categoria: arte moderna
Periodo: 19th secolo
Creato nell'anno: 1832
Età dell'opera d'arte: 180 anni
Mezzo originale dell'opera d'arte: Olio, tela (materiale)
Dimensione originale dell'opera d'arte: Altezza: 65,2 cm, Larghezza: 54,5 cm
Iscrizione originale dell'opera d'arte: Signature - front, bottom center: "1832 - AR"
Museo: Maison de Victor Hugo - Casa d'Altavilla
Luogo del museo: Parigi, Francia
Pagina web del museo: www.maisonsvictorhugo.paris.fr
Tipo di licenza di opera d'arte: dominio pubblico
Per gentile concessione di: Maison de Victor Hugo - Casa d'Altavilla

Tabella dei dettagli dell'artista

Nome dell'artista: Antonio Rivoulon
Lavori dell'artista: pittore
Categoria dell'artista: artista moderno

© Protezione del copyright, Artprinta (www.artprinta.com)

Original artwork information as provided by Maison de Victor Hugo - Hauteville House (© - di Maison de Victor Hugo - Hauteville House - Maison de Victor Hugo - Casa d'Altavilla)

The four scenes shown are (left to right and top to bottom): Esmeralda Madame de Gondelaurier; the trial of the Esmeralda; Claude Frolo in the chamber of the Esmeralda; supplicede the Esmeralda.

Long remained anonymous, this painting could be restored to its author Thierry Zimmer during his work on the catalog of the establishment of Antoine Rivoulon work he identified by Monogram. According to the study then, this painting was intended for the Salon of 1833 but it was rejected by the jury, as well as mention the registers. This show has yet seen some news about "Notre Dame de Paris", since six shipments are evidence of the first echo aroused by the book published in 1831 - the living room having not held in 1832 due to the Cholera epidemic. These are Louis Boulanger presenting them a series of watercolors (see Inv. No. 317-323), Jean Bernard Duseigneur, a relief and for the painting, Auguste Couder with his "Scenes from Our Lady of Paris" ( see inv 767), Miss Henry with "Esmeralda Quasimodo saving the hands of his executioners" (see inv;. No. 780) and and Mrs. Meynier and Perlet. To date, apart from the frontispiece of Célestin Nanteuil to Renduel edition of 1832, the book was not yet known, the first illustrated edition published in 1836. Based on a design by Célestin Nanteuil dated 1836 and preserved the Museum of Fine arts Orleans, Thierry Zimmer speculated that the table Rivoulon was at the time - such as painting Couder (iNV 767.) - presented in a setting to " Cathedral "carved architectural elements and caryatids. Nanteuil was able to show a curious phenomenon which its frontispiece of the 1832 launch fashion, unless it is acted the result of a common emulation. The table origin frame was identified in 2018 as one used by Victor Hugo in the decoration of the transom supported by a column, separating the first and second hall Hauteville House. It was used as a fixed window, letting in the day, but mostly as a symbolic element placing his house, new asylum in exile, under the title of "Our Lady of Paris" her first novel. An error on the inventory register, indicating the table as coming from the "old museum funds" while enrolled with a set of objects from Hauteville House was unable to make the connection between the frame and the painting. It can be concluded that Antoine Rivoulon had offered his work to Victor Hugo who, thereafter, separate the two elements.

Esmeralda (personaggio letterario)

Notre Dame de Paris (V. Hugo)

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