Giovanni Battista Moroni, 1572 - Ritratto di Vincenzo Guarignoni - stampa fine art

Questo più di 440 la pittura di un anno è stata creata dal maschio Italiano pittore Giovanni Battista Moroni. Il capolavoro misura le dimensioni: Incorniciato: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in); Senza cornice: 63 x 50,8 cm (24 13/16 x 20 in). Oil on canvas was applied by the European artist as the medium of the piece of art. The artwork's inscription is: "inscribed at bottom: "VINCENT. GVARINON. AN. AET. XXXXV / MDLXXII"". Nowadays, the artwork can be viewed in in the The Cleveland Museum of Art's art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of - Il museo d'arte di Cleveland (licenza: dominio pubblico). Creditline of the artwork: Gift of Adele C. and Howard P. Eells, Jr., in memory of Howard Parmelee Eells. Furthermore, alignment is in ritratto formato e ha una proporzione laterale di 1: 1.2, meaning that the length is 20% shorter than the width. Giovanni Battista Moroni was a male painter of Italian nationality, whose style can primarily be attributed to Mannerism. The artist was born in the year 1520 and deceased at the age of 58 nell'anno 1578.

Scegli il materiale che desideri

We offer a range of different sizes and materials for every product. Pick your favorite size and material among the subsequent options:

• Stampa su tela: A printed canvas material applied on a wood frame. Additionally, a canvas print generates a homelike and pleasing look. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
• Stampa su vetro acrilico: The print on acrylic glass, which is sometimes denoted as a print on plexiglass, will transform the artwork into wall décor. Besides, the acrylic art print makes a good alternative to dibond and canvas prints. The artwork is being made with state-of-the-art UV print machines.
• Stampa in alluminio dibond (metallo): Aluminium Dibond prints are prints on metal with an impressive depth. The Direct Print on Aluminum Dibond is your perfect start to fine art replicas made with aluminum. The bright parts of the original artwork shimmer with a silky gloss but without glare.
• Stampa poster su tela: Our poster print is a printed flat canvas with a slightly roughened surface finish. The printed poster is best used for putting the art print with the help of a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm around the print, which facilitates the framing with a custom frame.

Important note: We try the best we can in order to depict our art products as clearly as possible and to display them visually in our shop. At the same time, the tone of the print products, as well as the imprint might diverge slightly from the representation on the device's monitor. Depending on the screen settings and the nature of the surface, not all colors are printed as realistically as the digital version depicted here. Considering that all fine art prints are printed and processed manually, there may as well be minor variations in the motif's size and exact position.

Tabella degli articoli

Dettagli dell'opera d'arte

Breve panoramica dell'artista

© Diritto d'autore, Artprinta (www.artprinta.com)

Specifiche generali fornite dal sito web del Cleveland Museum of Art (© Copyright - del Cleveland Museum of Art - Il museo d'arte di Cleveland)

The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo. His direct and thoughtful gaze enhances the painting’s lifelike quality, while the solemn detachment conveys dignity and excellence rather than an exact personality, a common approach in Renaissance portraiture.