Anne-Louis Girodet de Roucy-Trioson, 1809 - Sketch for The Revolt at Cairo - stampa d'arte

Informazioni dettagliate sull'articolo

In 1809 , il maschio artista Anne-Louis Girodet de Roucy-Trioson made this 19th century artpiece. The 210 la versione vecchia di un anno del capolavoro misura le dimensioni: Incorniciato: 25 x 33 x 6,5 cm (9 13/16 x 13 x 2 9/16 in); Senza cornice: 15,2 x 23,3 cm (6 x 9 3/16 in) ed è stato dipinto con il mezzo oil on paper, mounted on paper and canvas. Oggi l'opera d'arte è inclusa nel Il Cleveland Museum of Art's collezione digitale, che è uno dei principali musei al mondo che costruisce, conserva, studia e condivide le sue eccezionali collezioni di arte da tutte le epoche e parti del mondo, generando nuove borse di studio e comprensione, mentre funge da centro sociale e intellettuale per il suo Comunità. Con la cortesia di Il museo d'arte di Cleveland (con licenza - dominio pubblico). Il credito dell'opera d'arte è: Gift of Eugene Victor Thaw. Inoltre, l'allineamento è paesaggio e ha un rapporto di 3: 2, Il che significa che la lunghezza è del 50% più lunga della larghezza. The writer, painter Anne-Louis Girodet de Roucy-Trioson was a European artist from France, whose art style was primarily Neoclassicism. The European painter lived for a total of 57 anni ed è nato nell'anno 1767 in Montargis, Centre region, France and deceased in the year 1824 in Paris, Ile-de-France, France.

Supplemental description from The Cleveland Museum of Art website (© Copyright - Il Cleveland Museum of Art - www.clevelandart.org)

Several months after Napoleon's 1798 invasion of Egypt, rebellion erupted in Cairo. French troops viciously suppressed the uprising, including a massacre in the Al-Azhar Mosque of Mamelukes, an all-male group of warriors who occupied much of the Middle East at the time. Napoleon chose this subject for the artist, but because no documentation or eyewitness reports survived, Girodet freely interpreted the event. Interest in Mamelukes gripped France at this time. To ensure a steady supply of new recruits, Mamelukes enslaved and trained boys from across the Ottoman Empire, and the group at the right demonstrates Girodet's fascination with their racial diversity and perceived homoeroticism.

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