Jean Bellegambe, 1509 - Charles Coguin, Abate of Anchin - stampa d'arte

Sommario

This more than 510 years old work of art was created by Jean Bellegambe. 510 years old original of the artwork was painted with the size: Arched top, 26 3/4 x 11 3/8 in (67,9 x 28,9 cm) and was painted with the medium oil on wood. It belongs to the Il Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This artpiece, which is in the public domain is provided with courtesy of The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931. In addition, the artpiece has the creditline: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Furthermore, alignment of the digital reproduction is in ritratto formato con un rapporto di 1: 2, Il che significa che la lunghezza è del 50% più corta della larghezza. Jean Bellegambe was a painter, whose style can primarily be attributed to Northern Renaissance. The French painter lived for a total of 66 anni - born in the year 1470 in Douai, Hauts-de-France, France and deceased in the year 1536.

Ottieni il tuo materiale di stampa fine art preferito

Offriamo una gamma di dimensioni e materiali diversi per ogni prodotto. Sono disponibili le seguenti opzioni per la personalizzazione:

• Stampa su vetro acrilico (con rivestimento in vero vetro): The acrylic glass print, often referenced as a print on plexiglass, will change your chosen original artwork into lovely home decoration. Our acrylic glass protects your custom fine art print against light and heat for between 40-60 years.
• Metallo (stampa dibond alluminio): An Aluminium Dibond print is a material with an outstanding depth effect. A direct Aluminium Dibond Print is the best start to the sophisticated world of fine art reproductions on aluminum. For our Direct Print On Aluminum Dibond, we print your favorite artwork onto the aluminium surface. The white & bright parts of the artpiece shimmer with a silky gloss, however without the glare.
• La stampa su tela: A printed canvas, not to be mistaken with a canvas painting, is an image printed from an industrial printer. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without extra wall-mounts. A canvas print is suited for all kinds of walls.
• Stampa poster (materiale tela): A poster is a UV printed cotton canvas paper with a slightly rough texture on the surface, which resembles the actual work of art. A printed poster is best suited for framing the fine art print with the help of a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing.

Disclaimer legale: We try to depict our products with as many details as possible and to illustrate them visually in our shop. Please bear in mind that the colors of the printing material and the imprint may differ to a certain extent from the presentation on your screen. Depending on the screen settings and the quality of the surface, not all color pigments can be printed as exactly as the digital version on this website. In view of the fact that the are processed and printed manually, there may as well be minor discrepancies in the motif's exact position and the size.

Informazioni sull'articolo

Informazioni di base sull'opera

Dettagli dell'artista

© Copyright - proprietà intellettuale di - Artprinta.com (Artprinta)

Descrizione dell'opera d'arte originale dal sito web del Metropolitan Museum of Art (© Copyright - dal Metropolitan Museum of Art - Il Metropolitan Museum of Art)

Charles Coguin was the superior of the Benedictine monastery of Saint Sauveur d'Anchin, near Douai, from 1511 to 1547 and during his years there commissioned many works from Bellegambe. This portrait, which has been cut down at the top and bottom, was the left wing of a triptych.